Together with a whole bunch of other VJ’s we’re supposed to perform at Visual Berlin Festival closing party, a party that was held in collaboration with DMY International Design Festival Berlin. We arrived in Berlin on Friday. No one from the organization was there to meet us. That’s really not a big issue since we only had as much tech as we could carry. After getting to the hotel we went straight to Tresor. Getting the accreditation was no problem, but we had now been in Berlin for quite a while and still no one from the organization had tried to contact us to see that we were in town. The fact that this was a DIY festival started to get more and more clear.

It is now Saturday, the last day of the festival. It is the day of the closing party. During the whole day no one had contacted us about the evening. Now we started to actively hunt for answers. We had a paper with names of people and their telephone numbers, people who we started calling to get some answers. Finally we got hold of a person who told us that we could check the tech at around 7 p.m. The party was about to start at 00 a.m. so that was ok. The festival had now moved from Tresor to Collegium Hungaricum Berlin, but the closing party was going to be held at Picknick Club. We arrived at the Picknick Club around 7.30 p.m. The only one there was the clubs own technician, only responsible for setting up the bar/sound and preparing the yard for the evening party. He was really stressed up about the people from Visual Berlin not being there. He had no knowledge, not the responsibility to set up the projectors and screens. We called the person from the organization, asking what’s up. They was still at Collegium Hungaricum. We wasn’t surprised since none of the workshops we had been to during the weekend had been on time. Since the place wasn’t far away from Picknick Club we went over there to get some answers. We got told that the person who was supposed to be in charge over the technical stuff was to tired after the weekend and had to leave the responsibility to another person, which was the one we were talking to now. He told us that, “I should have been at Picknick five hours ago, but have not had the time to”. He said to us that he would head over there right away, and that we should come back one hour before the party started.

Due to miss match in the U-bahn we arrived at Picknick Club at 11.30 p.m. The line outside was long and a huge amount of people had already got in, the party was in full bloom inside. When we reached the yard where the main visuals was going to be, we were met by a handful of the evenings VJ’s hard struggling with getting everything going. No one had been there to set up the screens or the projectors. There were no switch, no power supply. Nothing. They had, as we, arrived just before the party was supposed to start. On two beer crates (placed on the table, taking up huge work space) they had managed to pile three projectors on each other. Just to get something up. We always bring a Kramer switch with us and thanks to that we could switch between the computers. We also have to many cables with us that now came in handy. Thanks to all VJ’s hard work (except my own, I was just furious) everything was up and running at around 00.30 a.m. It looked like crap, but no one other than MacGyver could have done anything more/better with what we had to work with. Since there was no one from the organization there, we had no one who could give us drink tickets. I paid 3€ for a Coca Cola. Yei.

At 00.57 a.m. (I checked the watch). One of the VJ’s called the person we talked to earlier at Collegium Hungaricum Berlin. To see what was going on. He got the answer that they had decided to keep the party over there. Read it again. They decided to keep the party OVER THERE. And they tell us this now. But we were very welcome if we wanted to come over. Oh, how nice. Or, if we wanted to, we could just stay at the party at Picknick. I got so upset over the ignorance that they showed us that I didn’t know where I would go.

Since there was no work space left on the table only two computers could fit. So I gladly handed over the responsibility for the nights performance to Dan and Daniel. They did the best of the situation. Until the club owner came down. Our table stood right next to the DJ table. And the DJ demanded more space. So we had to move our stuff. The club owner decided that two crates on the ground would be good enough for a VJ to be working on. That was it. The time was around 4 a.m. There was still two-three hours left of the party. But all of us VJ’s decided that it was enough. We shut down the projectors, the place went totally black. We packed our bags and left the place.

We don’t expect any apologies. We just want to let you know how disappointed we are. We are disgusted by the ignorance you showed us, your guests. We are disappointed over the fact that we as artists puts down a great amount of money and get nothing but humiliation in return. It makes us sad, sad to see how a collective of VJ’s can act this way towards other VJ’s. If it would have been just regular people I could understand it somehow. But we are professionals, fighting for acknowledgement in the same hard, dark and poor branch. What the fuck? Is it supposed to be this way?

Not everything was as bad as it sounds tough. Visual Berlin had gathered a large number of international VJ’s and interesting lectures/workshops were held during the weekend. Tons of tongue twisting geek talk was exchanged. It was a nice spread of installations and club performances. Berlin with one of the best club scenes/culture in the world offers a perfect spot for artist from cross platforms to meet each other and exchange ideas. And Tresor must be the ultimate place to do this at.

Well aware of the fact that the organization didn’t have any money to pay for travels of performances, we applied to this festival. All together we spent about 1 000€ on this trip (travel, transportation, living).

Lucky us that Berlin is the most awesome city in the world.

Sincerely //Startsladd

The Internationales Videofestival Bochums is looking for 30 minute long audiovisual performances to be performed live in front of a sitting audience. Deadline for applications is 1st of March.

It’s time for yet another edition of the Pixelvärk digital arts festival. This year’s focus will lie on getting people from other art and design disciplines to get interested in live mixed video. For this reason Pixelvärk has teamed up with the Gothenburg International Film Festival. The first items of the festival program is up on the Pixelvärk website now.

From May 6th through the 16th 2010, the Mapping Festival will take place in Geneva, Switzerland, in differents venues: Bâtiment d’art contemporain (installations and AV performances), Théâtre du Grütli and Théâtre de la Parfumerie (workshops, AV performances and live performing acts), Zoo & Spoutnik / Usine (AV performances and VJing) and Uptown Geneva (professional space).

You have many ideas and projects, the call for entries is now open, so we are counting on you to be there and spice up the Mapping Festival menu!

This year again, the festival will promote the mix of disciplines, and you will be able to apply for the following categories:

• VJing
• Audiovisual set
• Installation
• Outdoor projection
• Lecture / Workshop / Presentation / Demo

This year, the application is on line on our web site: www.mappingfestival.com
Beware, the delays to apply are short: you can apply until January 4th 2010.

If you want to present your products and/or activities (hardware, software, collective, agency, company etc…) in our space dedicated to VJing professionals, don’t hesitate to contact us.
For more information: moc.lavitsefgnippamnull@orp

The summer vacation is over and the Swedish VJ Union is back in business. We’re hosting a VJ Jam at the OSC09 electronica festival produced by Landet and Färgfabriken. The VJ jam is scheduled for friday august 14th and saturday the 15th from 22:00-03:00. The following VJs will be there: Fetish 23, Lysbang, Nino S, Morrsken, Den Svenska Björnstammen, Dag55, Joel Dittrich & Martin Söderblom, The MIDI Theif and Oskar Ekeblad.

I’ve worked with the Landet guys before and I predict this festival to be super-cool-hot-sexy-magic. Read all about the festival on the OSC09 web site.

We just got this video from the “HELOW09″ event at the the Pixelache festival from our friends Xploitec.

We would also like to recommend the Pixelache podcasts on Vimeo.

Keep this in mind: The Mapping Festival is pretty close to Pixelache, Helsinki (April 2-5) and will probably clash with the New Media Meeting in Norrköping that is scheduled to take part already in may this year.

giss.tv/dmmdb/piksel08

Joyce Ip was showing an analog skeleton animation.

Interacting Arts had made a beduin tent in a Arabian Nights theme where a film was shown and they were offering water pipe and oriental snacks.
The natural but unofficial after party was held at the club Piggly Wiggly (Nordic Light) where Startsladd was VJing and DJ Jethro was spinning. All VJ-material had been produced earlier that day. As a part of the act they were showing a slideshow of images of the club’s guests that had been shot by the entrance.

On the finishing sunday there were lectures at Mejan Labs. Natalie Aubret from the started with a presentation of the live animation program Animata that has been awarded Pixelache Software of the Year. Following was a lecture on participatory culture by Interacting Arts. I must say that I had a negative attitude from the beginning but warmed up during the lecture and the finishing discussion.
Interacting Arts has written the book “Participatory Culture” where they try to define what participatory culture is and is not. To sum it up they claim that most within art that claims to be interactive is only communicating one way. The viewers can often only interact with the art piece in a way that the artist has pre defined and in that way it is not true participation because the viewers can’t or aren’t allowed to alter the piece the way they want.